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Crazed Fruit

Posted by starshiped on Sun, 19 Jul 2009 12:00am
Category: Drama

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TITLE:  Crazed Fruit                                              
GENRE: Drama
DATE: 1956
RUNNING TIME: 86 min
RATING: Not Rated
FORMAT: DVD, VHS
SCRIPT: Shintarô Ishihara
DIRECTOR: Ko Nakahira
STARRING: Ayuko Fujitshiro, Taizo Fukami, Mie Kitahara

 

One of the earliest and best of Nikkatsu Studios' "Sea Tribe" films which form a sort of cultural corollary to the American teen angst films coming out at that same time.  Still, it's a little bit shocking to consider a film made just eleven years after Hiroshima and Nagasaki should be about essentially spoiled upper middle class teens who discuss and dismiss Marx in favor of trendy Western consumption, joke about adopting boredom as a manifesto.  They're punks who look like Mouseketeers.

Two brothers, Haruji and the older, more experienced Natshisa, are competing for the same girl.  The girl Iri joins innocent Haruji and they sunbathe together.  The date is chaste, silent, sexually charged.  When they're together onscreen, Nakahira uses every filmic license at hand to push  up the emotional ante and create an over-the-top dark suburban romanticism the super real equal of _American Beauty_.

Natshisa has been with an addle-brained young prostitute, thinks he knows a bad girl when he's seen one.  He discovers that Iri is several years older than Haruji and that she's married to an American businessman, presses his advantage to sleep with her.  Everything comes to a stylish very bad end but the self-seriousness of the teenage nihilism hangs a bit ripe in the air immediately after the last title card.

The music by Masaru Sato relies on Hawaiian guitarist Toru Takemitsu's phsychedelic chromatic slides to support Nakahira's visions, especially in theatrical close-ups against rear projections while water skiing or sunbathing.  The moonbathing scenes are delirious.

Mie Kitahara gives a subtle and knowing performance as the "older" Eri.  She was one of the finest young actresses then working in Japan and this is one of her best films.

 


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Road House

Posted by rrmoore on Wed, 15 Apr 2009 12:00am
Category: Drama

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TITLE: Road House
GENRE: Drama
RUNNING TIME: 114 minutes
RATING: R
FORMAT: DVD
SCRIPT: David Lee Henry
DIRECTOR: Rowdy Herrington
STARRING: Patrick Swayze, Kelly Lynch, and Sam Elliot



I've been thinking about Road House.

See, I had a buddy over for Chinese take out one night and as we were eating I turned on the TV.  Wasn't much on so I threw it over to AMC to see what was on and to my surprise there was Road House.  (They have changed the definition of Classics on that station.)  Well, I hadn't seen it in awhile so I left it.  Turns out, he had never seen it and it was pretty early on, so we settled in.
Long after the food was gone, there were were sitting in my kitchen watching Road House.  We were there til the last ass was kicked and the bear fell on the fat guy.  And all I could do is think to myself is "Why?".
For you poor souls that haven't seen it, Road House is the story of a Philosophy major turned world's greatest bouncer who gets hired to clean up a skanky bar called the Double Deuce.  Said bouncer's name is Dalton and is played by Patrick Swazye.  He's a sensitive ass kicker who is haunted by the fact that he killed a guy and he also does Tai Chi.
Oh, there's a bad guy who runs the town and Dalton falls for a hot doctor the bad guy has the hots for.
That's all the plot you need to know.
Now, you can tell from the plot that this isn't the sharpest tool in the shed.  And I hate Patrick Swayze movies.  (Red Dawn doesn't count since it was pre-Dirty Dancing so he's just one of many.  WOLVERINES!!!  Sorry.  Had to do that.)
So why? 
Because they thought they were making a good movie.
That's what separates the Plan 9s, Robot Monsters, and Roadhouses from the Die You Zombie Bastards and Snakes on a Planes.  You can't manufacture cheese unless you're Kraft.  You have to BELIEVE.  Then when you fail, a bunch of assholes think it's funny.
Which is kinda unfair to cast and crews that make these things.  But I think they knew and took the money anyway so it's all alright by me.
I mean, it's a movie about the worlds greatest Tai Chi philosophy major bouncer.  They had to know, right?
It's not all just bad ideas that make Road House a wreck that we all cannot love away from.  It is loaded with the world's most bizarre dialog that I dare you not to quote.
"Pain don't hurt."
"A polar bear fell on me."
"I used to f*** guys like you in prison." (I had to do the non-curse curse thing.  Sorry, but the dude who runs this place almost keeled over from the Tokyo Gore Police review so I doubt he'll let me drop F bombs.)
"Prepare to die.You are such an ***hole."
"Does a rocking horse have a wooden ****."
Add some weird homoerotic subtext and a supporting role by Terry Funk and you have Road House is all it's glory.
See, I'm not one of those guys who giggle over bad movies.  I actually like Blood Feast as a movie.  Plan 9 bores me.  Robot Monster I love just cause Ro-Man rules.  But Road House...there is something there.  Maybe I put my finger on it, maybe is it just too intangible..  They did EVERYTHING wrong yet it is right somehow. 
Some things just are, I guess.
 
DVD note: Road House is available on SE dvd.  It's got a commentary from it's director whose first name is Rowdy, which is cool.  It also has one from that tool Kevin Smith but don't hold that against it.
 
R.R. Moore

 

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